Byron Kim’s Sunday Paintings: Gracious Encounters with the Sky at moCa Cleveland
The 48 canvases on view are a small portion of a series that numbers over 800 and is still growing.
The 48 canvases on view are a small portion of a series that numbers over 800 and is still growing.
Then and there, that one painting stopped me and held me captivated. The other rooms I had just seen disappeared from my consciousness.
Since most of the published responses to The Fulbright Triptych have been in the form of essays, rather personal ones at that, let me begin with a confession, as personal as the triptych itself by Simon Dinnerstein.
What was it that was so powerful about Woodstock?
These are not a reinterpretation of Monet—unlike many American artists, Katz never went to Giverny—but a genuine tribute to the French masterpieces.
In 1937, pioneering choreographer Martha Graham noted the power of dance to express “the depths of man’s inner nature, the unconscious, where memory dwells.”
Today’s artists, curators, and critics often assert that works of art themselves actively explore elements of human society, trouble conventional wisdom, demand that their audience consider specific issues, or otherwise directly affect their viewers and the world around them.
Architect Craig Dykers, one of the founding partners of Snøhetta, is interested in design as a promoter of social and physical well-being.