Triptychs and Temporality
Since most of the published responses to The Fulbright Triptych have been in the form of essays, rather personal ones at that, let me begin with a confession, as personal as the triptych itself by Simon Dinnerstein.
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Howardena Pindell: What Remains to be Seen
Howardena Pindell, like many of her fellow Black, female peers, has long been under-appreciated for her contributions to contemporary art, and this touring career survey covers a full 50 years of her artwork, activism, writing, and work as a curator and educator.
