Paul Broches and Don Porcaro Reflect on the Nature of Collaboration
What is best approach to keep a gallery visually open without resorting to the usual, uninteresting white walls?
What is best approach to keep a gallery visually open without resorting to the usual, uninteresting white walls?
In the painting Everything, 2019, a set of white, wooden doors hinges outward.
The work of Melissa Meyer possesses a kind of “sprezzatura”—meaning that it takes a great deal of skill and technical bravado to make it look so easy.